‘The Hoerengracht’ (1983–8), by American artists Ed and Nancy Kienholz, will transform the Sunley Room into a walk-through evocation of Amsterdam’s Red Light District.
This highly polemical tableau explores a theme that has been investigated by artists over many centuries and echoes visual traditions well established within European art.
Recalling in particular the Dutch masters of the 17th century, which are strongly represented in the National Gallery, ‘The Hoerengracht’ recreates the brick walls, glowing windows and mysterious doorways of Amsterdam’s claustrophobic streets. At the same time, the half-dressed, garishly lit mannequins of ‘The Hoerengracht’ reveal a theatre of grim sociology, filled with the most vulgar, ugly and ramshackle aspects of society.
This highly polemical tableau explores a theme that has been investigated by artists over many centuries and echoes visual traditions well established within European art.
Recalling in particular the Dutch masters of the 17th century, which are strongly represented in the National Gallery, ‘The Hoerengracht’ recreates the brick walls, glowing windows and mysterious doorways of Amsterdam’s claustrophobic streets. At the same time, the half-dressed, garishly lit mannequins of ‘The Hoerengracht’ reveal a theatre of grim sociology, filled with the most vulgar, ugly and ramshackle aspects of society.
A display on the oldest of professions, set alongside pieces by three Dutch master-artists. Classicists would beg to differ, but the only real juxstaposition here is the medium- the subject matter of most master paintings are similarly controversial. Read up on your art history, kids. And maybe have a listen to some Lou Reed while you're at it.
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